Historically, all of Andalucia, formerly known as “Al-Andalus,” has had a profound connection to Northern Africa and the Islamic world, in general. Indeed, this is not the proper forum to discuss the broader cultural influences that Muslim dynasties had on Christian Spain from the Eighth Century to 1492; nonetheless, this history has, invariably, created ties between the Andalucian and North African music.
Although there was a good selection of African drums, the one drum that caught my eye was the most unconventional: it was a pair of tom-tom drums made from PVC water pipes. Like a timbale set (think Tito Puente), a pair of cowbells and six-inch splash cymbal are mounted above the two drums.
While I have seen pipes transformed into drum shells before, there was something about this particular set that just seemed like such an “honest” effort by the craftsman. Rarely do innovation and practicality form such a straightforward marriage.
While this drum does not boast any aesthetical value, the ingenuity of the materials used to create the instrument is highly commendable. Surely, the drum does not define the drummer: the music coming out of the drum is all that matters.
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